
My band Diagonals and Big Black Smoke will be playing at Beauty Bar, 10PM
(Friday, June 1st.)
But it might be for you.


Quasar Hernandez (Nathan & David Zellner | Austin, TX | 10:00)
In this sweet, realist narrative, an intergalactic space warrior and his big brother sit on a playground swing and talk about the future, before bidding each other a fond “Quasar Hernandez.”
If we have to go, you know we're going to go out in style. The first ten years of the Alamo have been absolutely amazing for all of us involved, and we can only hope that they've been at least half that great for all of you. There are so many people who have so many memories wrapped up inside this building that June 27th is sure to be an emotional night for us all. But before we get all weepy about it, we're going to throw one last party and when all's said and done, we'll even let you take your seat home with you so you can have a piece of Alamo history with you forever and ever. Tickets for "Last Night at the Alamo" go on sale on May 27.
Midnite: NIGHT WARNING - with SUSAN TYRRELL LIVE!
For our very last show we will spotlight a style of film and a style of filmgoer that is close to our heart. This is the last Weird Wednesday--the last movie--in fact, at the Original Alamo, and you'd better believe we put a lot of thought into this one. And we feel pretty confident that this movie is about as good as it can ever possibly get. Seriously. This is a completely stunning ensemble cast horror film that delivers with non-PC attitudes, shocking violence, a well sketched small-town milieu and one of the great performances in the history of the genre from Susan Tyrrell. She goes from seductive to clinging to terrifyingly murderous and back again at light speed. She's the Ferrari of actresses. It's the kind of performance that would be highly acclaimed in a mainstream movie but as it's in a disreputable horror movie the only people likely to see it are the kinds of twisted degenerates who stay up all night on a weeknight watching sick movies at the Alamo. Maybe that's fair. With Bo Svenson as a brutal, homophobic cop and Jimmy McNichol as the kid caught in the middle. Intense, terrifying and wrong. This is what it's all about. And if you don't agree, then fuck you. (Lars)
The Pecha Kucha virus has spread to the Third Coast. Started in Tokyo, Pecha Kucha, a Japanese term meaning chit-chat, is a controlled creative convergence of designers, architects and other artists.
Presenters are invited to show their work in a very tight format - 20 slides, 20 seconds per slide. And then the next one is up. It's like speed dating but more fun. An evening will feature 10 or so presenters in an informal environment, watched by an energetic and imbibing crowd. Austin is joining a host of cities to celebrate, support and enjoy the work of local designers.
Klein Dytham architecture started this concept in Tokyo in 2003. It has spread to over 40 cities world wide, including several in the US: LA, San Francisco, Seattle, Miami, and New York.
Austin is now on the list. A group of architects, designers and others have gathered to stage Pecha Kucha Night here. Staying true to its Tokyo roots, the Austin edition will be grounded in architecture and design, with other media included. Visual arts, electronic media, photography, architecture - anything that can be represented in a series of slides over the course of 6 minutes and 40 seconds will be in play.
Music Monday: We Were Never Here Showing at the Downtown Drafthouse on Monday May 7th at 9.45pm
WITH DIAGONALS PLAYING LIVE BEFORE THE MOVIE!
US PREMIERE!
The German avant-rock band MUTTER is virtually unknown in the US, and may in fact only spark recognition in those familiar with the transgressive horror films of Jorg Buttgereit (NEKROMANTIK), whose 1993 film SCHRAMM involved the collaboration of MUTTER frontman Max Muller as composer and drummer Florian Koerner Von Gustorf as the title character (a delusional serial killer who hallucinates and has sex with a blow-up female torso). Made up of longtime vets from the German art-rock scene, most notably from bands like HONKAS and CAMPING SEX, MUTTER's often slow, heavy, brutish sound is undercut and refracted by self-mockery and humour - the latter of which makes them unique among their contemporaries. Mixing tour footage, interviews, and private super 8 films, the documentary takes us back to the Berlin of the 80s and early 90s.
Researchers found that the brains of older East Asian people respond less strongly to changes in the foreground of images than those of their Western counterparts. They suggest this difference is due to an increased emphasis on the background, or context, of images in some Asian cultures.