
Check out this page of neat slow-shutter flashlight animations:
Link
Found via KozynDan
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But it might be for you.
First Prize of this Monthly Competition is $ 250.00 This competition will be held the last Sunday of Every month thru October The LOCAL Semi finals will be held the last Sunday in November with the Austin finalist winning $ 500 & the runner-up winning $ 200!! The 2 Local winners will compete in LAS VEGAS for the Beauty Bar NATIONAL Drop Dead Gorgeous Pageant & the chance to become the 2006 MISS BEAUTY BAR!! Cash prize is.... $ 2,500.00!!
The key role is getting a makeover, no loner being a superpowered teen but a superpowered 40-something. Jack Black is to take a role, though not this lead, and produce.
Death Ray was published in the most recent issue of Clowes' "Eightball" comic. Clowes plans to update the protagonist from a teenager to an older man who has to deal with having super powers while living a normal suburban life.
"I like the idea of him as a cranky 48-year-old man," Clowes said. "Using his powers to throw kids off his lawn."
No helmer is officially attached yet.
Clowes is also developing an adaptation of Rudy Rucker's Master of Space and Time, with helmer Michel Gondry, who owns the rights. He most recently wrote Art School Confidential and was nominated for an Academy Award with Terry Zwigoff for their Ghost World screenplay.






When I read the novel, I remember thinking, 'This book is so narratively obdurate and unconducive to a film adaptation. How is Linklater going to pull this off?' Philip K. Dick's simultaneously paranoid and speculative turn of mind makes narrative cohesion and resolution anathema to his worldview, and makes any film adaptation particularly fraught.
And yet, Linklater somehow makes it work. The film is a Dickian mishmash of ideas and feelings that feels more authentically Dickian than any of the previous film adaptations of his books. In Linklater's adaptation, there is more feeling, more imagination, more paranoia, and more despair. And the spirituality is not the ersatz spirituality of a 'Blade Runner' or 'Total Recall,' but the imminent and lived spirituality of ordinary existence.
Hollywood has a way of sanitizing everything it touches, and this film eschews such sanitization to a remarkable degree. Even 'Blade Runner' was only 'Hollywood' dark. This film is truly dark. It's a remarkable achievement, and doubly remarkable that Linklater was able to pull this off within the studio system and using bona fide stars.
This will be a loose overview/Q and A of and about some past and recent work, then a 10-15 minute multiprojection demo using some new material from current and upcoming projects. The event is free and will be kindly brief, lasting not more than an hour starting at 7pm. It would be nice to see you there.
PLEASE NOTE: The views expressed on this website/weblog are mine alone and do not necessarily reflect the views of my employer.